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118 Cherry Street, Black Mountain, NC 28711Monday to Thursday: 3:30 p.m. to 8:00 p.m.Woman ownedFall registration opens in July(828) 555-0109

Classical ballet in Black Mountain

Ballet taught in order, one level at a time

Releve is a classical ballet school with a live pianist at every class. Students from 4 to 14 climb six named levels, and each one says what you will work on and how a student moves up.

  • Ages 4 to 14
  • A live pianist
  • Recital in May
Girls at a ballet barre with their teacher, arms raised in a long line, in a bright studio

The levels

Six levels, from Pre-Ballet to the top

Each level lists its ages, what a student works on and how a student moves up. The teacher decides when.

  1. 01

    Pre-Ballet

    Ages 4 to 5
    Skills
    • Standing tall with a hand on the barre

    • First position and the first arm shapes

    • Walking, skipping and galloping to the music

    • Waiting a turn and watching the teacher

    Moving up

    When the teacher sees the class steps done calmly and in order, a student joins First Position at the start of a session.

  2. 02

    First Position

    Ages 6 to 7
    Skills
    • Pliés and tendus at the barre, in order

    • Counting a phrase of eight with the pianist

    • A small balance and a first jump in the center

    • Port de bras with the head and eyes

    Moving up

    When the barre is clear and a student can repeat a short center combination from memory, the teacher says so at a session break.

  3. 03

    Second Position

    Ages 8 to 9
    Skills
    • Rond de jambe and battement at the barre

    • Small jumps: sauté, changement and echappé

    • Chassé and glissade across the floor

    • A first adagio, slow and held

    Moving up

    When the barre steps are steady without the teacher's hand and the jumps land quietly, the teacher moves a student up.

  4. 04

    Third Position

    Ages 10 to 11
    Skills
    • A longer barre with turns and balances

    • Pirouettes from fifth position

    • Petit allegro: quick, light footwork

    • Dancing a combination with a partner's timing

    Moving up

    When turns and jumps hold together inside a full combination, the teacher invites a student to Fourth Position.

  5. 05

    Fourth Position

    Ages 12 to 13
    Skills
    • A full barre, then adagio and grand allegro

    • Turns on both sides

    • Strengthening at the barre to prepare for pointe

    • Learning a short variation

    Moving up

    When a student dances a whole class with ease and shapes steps of their own, the teacher talks with the family about the top level.

  6. 06

    Fifth Position

    Ages 14 and up
    Skills
    • Classical barre, center and allegro in one class

    • Longer variations, rehearsed for the recital

    • Pointe work, when the teacher says the student is ready

    • Helping the youngest students find the barre

    Moving up

    This is the top level. Students stay as long as they like, and the teacher sets new goals with each of them.

Sample levels.

Ages are where students usually begin each level. A teacher chooses the level, at a placement visit and again at each session break.

What a barre class is

A barre class, in six steps

Every ballet class here follows the same order, so a student always knows what comes next. The pianist plays for each step.

  1. 01

    Step 1: Arrive and warm up

    Shoes on, hair up, and a few quiet minutes on the floor to wake up the feet and legs.

  2. 02

    Step 2: At the barre

    Pliés, tendus and the other exercises that begin every ballet class, done in the same order each week.

  3. 03

    Step 3: In the center

    The same steps without the barre's help: balances, turns and a short, slow adagio.

  4. 04

    Step 4: Across the floor

    Walks, skips and leaps in lines, a few students at a time, with the music led by the pianist.

  5. 05

    Step 5: Stretch

    Slow stretches on the floor, with the music softer, to finish the work of the class.

  6. 06

    Step 6: Reverence

    The class ends with a bow and a curtsy to the teacher and the pianist.

Summer

A summer of mornings in the hall

Short weeks for the youngest, technique weeks for everyone else, and a performance week to finish.

Summer
  • A group of small children in tutus, seen from behind, waiting in a line at the studio door
    Early JuneOpen

    Week 1: Pre-ballet mornings

    Stories, scarves and first steps at the barre.

    Short classes with the pianist, a snack break and a showing for families on Friday.

    • Ages 4 to 6
    • 9 a.m. to 12 p.m.
  • A ballet barre at child height with a few small hands resting on it
    Mid JuneOpen

    Weeks 2 and 3: Technique

    Barre, center and allegro, every morning.

    Two ballet classes a day by level, with the teachers who will lead the fall classes.

    • Ages 7 to 14
    • 9 a.m. to 1 p.m.
  • A rolling rack of pastel tutus and leotards in a quiet corner of the hall
    Early JulyWaitlist

    Week 5: Performance week

    One short piece for the whole school.

    Students learn a short piece together and show it to families on Friday, with the pianist playing live.

    • Ages 7 to 14
    • 9 a.m. to 1 p.m.

Sample sessions.

Weeks and hours can change; the registration page has the latest.

Dates

Placement in August, the recital in May

This school year
  • Fall registration opens

    July · Families register on the school's registration page.

  • Placement day

    August · Short visits with a teacher, to choose each student's level.

  • First day of fall classes

    Early September

  • Winter break

    Late December · The hall is closed; costumes are fitted in the weeks before.

  • Spring recital

    May · Every level dances, with the pianist playing live.

  • Summer program

    June and July · Mornings of technique, pre-ballet and a performance week.

Sample dates.

The faculty

Three teachers and a pianist

Students learn from the same few teachers as they move up, so each one knows where a student has been.

  • Eugenia Berger, director and teacher, seated in the hall with a shelf of ballet slippers behind her

    Eugenia Berger

    Director and teacher of the upper levels

    Eugenia opened Releve to teach ballet in order, with a live pianist and a barre at the right height for each age. She teaches Fourth and Fifth Position, and she decides with each student when pointe begins.

  • Cleo Ransom, teacher, stretching one arm overhead at the barre in the hall

    Cleo Ransom

    Teacher, Pre-Ballet to Second Position

    Cleo teaches the first three levels, and many students first meet a barre in her class. She leads the summer pre-ballet mornings.

  • Avelino Tobar, teacher, leaning into a side stretch at the barre

    Avelino Tobar

    Teacher, Second to Fourth Position

    Avelino teaches the middle levels, where turns and jumps start to join up, and he leads the technique weeks in summer.

From families

What parents tell us

“Placement day was short and calm. The teacher told us where our daughter would start, and why, in plain words.”

Ingrid S.Parent of an eight-year-old

“The pianist is the first thing we noticed. The music follows the dancers instead of a recording.”

Tomasz K.Parent of a ten-year-old

“Our teacher explained pointe in one sentence: when she says so. Nobody gave us an age, and I was glad.”

Renee A.Parent of a twelve-year-old

Sample reviews.

Questions

Before you book

How do I try a class?

Book a placement visit. A new student joins a class with a teacher watching, and the teacher tells you which level fits. Wear a leotard and tights if you have them; socks are fine for the first visit.

Which level is right for my child?

The teacher decides at a placement visit, not by age alone. Ages on the levels are where students usually begin, and a student of any age is welcome to start at the beginning.

What should my child wear?

A leotard, tights and ballet slippers, with hair up and off the neck. Pre-Ballet students may wear a skirt. The family policies page has the details by level.

When does a student start pointe?

Pointe is the teacher's call. The teacher looks at how a student stands, moves and is strengthened at the barre, and tells the student and the family together. There is no age on it, and students in the same level start at different times.

What are the extras?

Costumes for the May recital are ordered in the winter and billed before the show. The recital has a production charge for each student, and guests need tickets. Leotards, tights and ballet slippers are bought by the family. We don't enter competitions.

What if we miss a class?

Message the school. A missed class can be made up in another class of the same level, or the one just below it, within the same session.

Placement visit

Book a placement visit

A short class with a teacher watching, so that your student starts in the right level. Wear a leotard and tights if you have them; socks are fine.

Book a placement visit
Hours
Monday to ThursdayToday
3:30 p.m. to 8:00 p.m.
SaturdayToday
9:00 a.m. to 1:00 p.m.
Friday and SundayToday
Closed